Rudolfinum_Time-Based

As a follow-up to its exhibition project Domestic Arenas (19 January 2018 – 18 March 2018), Galerie Rudolfinum introduced Rudolfinum_Time-Based, a new series of presentations of international and local contemporary artists who use time-based media – film, video and animation – as their means of expression.

The ambition of this programme of regular screenings and lectures with authors of films, curators and professionals from related fields is to showcase various artistic approaches of contemporary time-based media, always framed into a specific and current context. The series invites the interpretation as a single collective “time-based” exhibition.

The first part of the series (curator Jen Kratochvil, supervision Petr Nedoma), which run in autumn 2018, acts as a conceptual bridge between the exhibition Domestic Arenas (curator Petr Nedoma) and the singular presentation of the work of Arthur Jafa (curators Hans Ulrich Obrist, Amira Gad, curator in Prague: Petr Nedoma), conceived in collaboration with the Serpentine Gallery and Julia Stoschek Collection, which was open to the public at Galerie Rudolfinum from January till April 2019.

As part of the long-term new media focused series Olympia (The real time disintegration into ruins of the Berlin Olympic stadium over the course of a thousand years) by Belgian artist David Claerbout (curator Petr Nedoma) is currently on view at the Galerie Rudolfinum.

 

Rudolfinum_Time-Based offers specific subjective views of our present reality as a state of constant shift lacking anchor points, which fully represents the medium itself in time of dynamically shifting images. The films, videos and animations walk the razor’s edge of critique of our socio-political reality.

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Rudolfinum_Time-Based Ursula Mayer

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Rudolfinum_Time-Based Steffani Jemison

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Arthur Jafa

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David Claerbout Olympia

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